Document Type

Article

Publication Date

2020

Abstract

Among the manuscripts produced for Charles the Bald, King of West Francia (843-77) and Holy Roman Emperor (875-77), the so-called Second Bible (Paris, BnF, MS Lat. 2) holds a special place. Illuminated in the scriptorium of the abbey of St. Amand between 870 and 873, the Bible—unlike all the other manuscripts presented to the king during this period—contains no human figures or royal portraits. It exhibits instead large initials patterned with geometric and zoomorphic designs. In addition, the volume opens with a long poem dedicated to Charles the Bald and written by Hucbald (ca. 840–930), master of the monastery school at St. Amand. Although Carolingian scholarship has investigated the manuscript’s ornament, the relationship between Hucbald’s poetry and the book’s decorative program has never been systematically examined. By analyzing both the use of script as image and Hucbald’s poem, this article sheds light on the Bible’s intended purpose and message. Moreover, the article contributes to a more precise understanding of Charles the Bald’s role as patron of St. Amand. It argues that the Bible not only represents the increasingly close relationship between the abbey and the crown, but also functions as a special vehicle that carries the abbey’s pleas straight to the king’s heart.

Comments

Copyright 2020 Riccardo Pizzinato.

Creative Commons License

Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License
This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License.

First Page

77

Last Page

106

Publication Title

ABside

DOI

10.13125/abside/4149

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