Literatures and Cultural Studies Faculty Publications and Presentations
Explore our Open Access Publications to discover research freely available to the public.
You can also view All Research Publications by the department, including both open access and subscription-based work over the past 36 months.
Submissions from 2024
Looking Back to Old New York City in Herman Melville’s “Bartleby”, Shawn Thomson
Submissions from 2023
Milton, Mansus, and an English Poet, Clay Daniel
5. A Chicana Pedagogy for Digital Pen Pals, Diana Noreen Rivera and Leigh Johnson
Submissions from 2022
The City-Sin: Collective Responsibility for the Plague in Early Modern London, Andrew Fleck
Submissions from 2021
Impossible Origins: Trauma Narrative and Cinematic Adaptation, Linda Belau
Imagining Ancestors, David Bowles
Good Versus Evil in Max’s Lucha Libre Adventures Series (2011–2020) by Xavier Garza, Amy Cummins
'Arte with her contending, doth aspire T'excell the naturall': Contending for representation in the Elizabethan epyllion, Andrew Fleck
Sound Acts, Part 1: Calling Back Performance Studies, Patricia Herrera, Caitlin Marshall, and Marci R. McMahon
A Survey of the Epistolary Dimension in Peninsular Contemporary Women Poets [Panorama de lo epistolar en la poesía española peninsular contemporánea escrita por mujeres], Elena Vega-Sampayo
Tacto y psicogénesis de personaje en tres novelas de Mercè Rodoreda, Elena Vega-Sampayo
Submissions from 2020
Bookended: Someone to Believe in Me, David Bowles
Corridos, David Bowles
Proximity and the Pox: Pathologizing Infidelity in Marston’s Dutch Courtesan, Andrew Fleck
CHAPTER 11 Lydia Mendoza, “Reina de la Música Tejana”: Self-Stylizing Mexicanidad through China Poblana in the US-Mexico Borderlands, Marci R. McMahon
La lítote en sin ruido de José Corredor-Matheos, Elena Vega-Sampayo
Análisis de y desde la mirada en "Largo noviembre de Madrid" y en otros cuentos de Juan Eduardo Zúñiga, Elena Vega-Sampayo and Jose M. Davila-Montes
Submissions from 2019
¡Oye, Oye!: A Manifesto for Listening to Latinx Theater, Patricia Herrera and Marci R. McMahon
Sobre las variantes textuales de Las fuerzas extrañas y la intertextualidad de “Un fenómeno inexplicable, Jose M. Martinez, Jonathan Godinez, and Itzel Vargas
Learning from and Listening to Latinx Youth at the 2019 LTC TYA Sin Fronteras Festival and Convening, Marci R. McMahon
Imagining Informal Empire: Nineteenth‐century British Literature and Latin America, Marisa Palacios Knox
Propaganda, Patriotism, and News: Printing Discovered and Intercepted Letters In England, 1571–1600, Gary Schneider
Submissions from 2018
Mapping Opposition in the Sonora- Arizona Borderlands: A Critical Recovery of Federico Ronstadt’s Memoir Borderman, Diana Noreen Rivera
Submissions from 2017
Coming Full Circle: The 2017 LTC International Convening, Carla Della Gatta
“To Write of Him and Pardon Crave”: Negotiating Biblical Authority in Lanyer’s Salve Deus Rex Judaeorum, Andrew Fleck
A Chicana Heroine Redirects El Movimiento, Marci R. McMahon
Healing Activist Trauma in Su Teatro’s Production of Milta Ortiz’s Más, Marci R. McMahon
Soundscapes of Narco Silence in U.S.-Mexico Borderlands Performance, Marci R. McMahon
Remembering Hurricane Beulah: An Interview With Conjunto Legend Gilberto Perez On Hurricane Beulah Corridos, Commercialisim and Culture, Diana Noreen Rivera
Submissions from 2016
Melodrama, Sickness, and Paranoia: Todd Haynes and the Woman’s Film, Linda Belau and Ed Cameron
Experiences of Performance: Firsthand Accounts of Theater from Part XIV - Shakespeare’s Early Reception (to 1660), Andrew Fleck
Latin@ Theatre for Social Action in the Time of Donald Trump, Marci R. McMahon
Submissions from 2015
Exemplarity and Its Discontents in Michael Drayton's Englands Heroical Epistles, Andrew Fleck
Valley Alliance of Latina/o Theatre Artists and Educators: Connecting and Developing Latina/o Stories in the Rio Grande Valley in Tejas, Marci R. McMahon
Submissions from 2014
Dissonant Divas in Chicana Music: The Limits of La Onda by Deborah R. VargasWild Tongues: Transnational Mexican Popular Culture by Rita E. Urquijo-RuizPerforming the US Latina and Latino Borderlands edited by Arturo J. Aldama, Chela Sandoval, and Peter J. García, Cathryn Josefina Merla-Watson
Masculine Identification and Marital Dissolution in Aurora Leigh, Marisa Palacios Knox
“The Valley of the Shadow of Books”: George Gissing, New Women, and Morbid Literary Detachment, Marisa Palacios Knox
Submissions from 2013
‘A Barren Sceptre’ (3.1.63): Generation, Generations, and Destiny in Maqbool and Global Adaptations of Macbeth, Andrew Fleck
“None Ends Where He Begun”: Astronomical and Polemic Revolutions in John Donne, Andrew Fleck
Soundscapes of Narco Silence, Marci R. McMahon
Submissions from 2012
Border Crossings: Undocumented Migration Between Mexico and the United States in Contemporary Young Adult Literature, Amy Cummins
Frédérique Aït-Touati, Fictions of the Cosmos: Science and Literature in the Seventeenth Century, Anthony J. DeSantis
Submissions from 2011
Alma López’s California Fashions Slaves: Denaturalizing Domesticity, Labor, and Motherhood, Marci R. McMahon
Land Grab or Legal Title Transfer? Reviewing the Evidence for Land Title Fraud in 19th Century South Texas, Elmer Sierra, William R. Yaworsky, and Amy Frazier
Submissions from 2010
The Father’s Living Monument: Textual Progeny and the Birth of the Author in Sidney’s Arcadias, Andrew Fleck
Women Letter-Writers in Tudor England by James Daybell (review), Gary Schneider
Submissions from 2009
“Conveyance of history”: narrative, chronicle, history, and the Elizabethan memory of the Henrician golden age, Andrew Fleck
Submissions from 2008
The Custom of Courtesans and John Marston's The Dutch Courtesan, Andrew Fleck
Libelous Letters in Elizabethan and Early Stuart England, Gary Schneider
Submissions from 2007
Anatomizing the Body Politic: The Nation and the Renaissance Body in Thomas Nashe’s The Unfortunate Traveller, Andrew Fleck
"Ick verstaw you niet": Performing Foreign Tongues on the Early Modern English Stage, Andrew Fleck
Submissions from 2006
Dutch Ants and Dutch Uncles: Sorting Out Englishness Among the Exile Community in the Low Countries, Andrew Fleck
Marking Difference and National Identity in Dekker's "The Shoemaker's Holiday", Andrew Fleck
The Ambivalent Blush: Figural and Structural Metonymy, Modesty, and Much Ado About Nothing, Andrew Fleck
Submissions from 2005
The Limitations of Narrative: Nashe's Appropriation of Ovidian Decorum in The Unfortunate Traveller, Andrew Fleck
Vulgar Fingers of the Multitude: Shakespeare, Jonson, and the Transformation of News from the Low Countries, Andrew Fleck
Submissions from 2000
Here, There, and In between: Representing Difference in the "Travels" of Sir John Mandeville, Andrew Fleck
Submissions from 1999
Instructional Note “We think he means …”: Creating Working Definitions through Small Group Discussion, Andrew Fleck
