Literatures and Cultural Studies Faculty Publications and Presentations
Submissions from 2023
Milton, Mansus, and an English Poet, Clay Daniel
Submissions from 2021
Impossible Origins: Trauma Narrative and Cinematic Adaptation, Linda Belau
Imagining Ancestors, David Bowles
Sound Acts, Part 1: Calling Back Performance Studies, Patricia Herrera, Caitlin Marshall, and Marci R. McMahon
A Survey of the Epistolary Dimension in Peninsular Contemporary Women Poets [Panorama de lo epistolar en la poesía española peninsular contemporánea escrita por mujeres], Elena Vega-Sampayo
TACTO Y PSICOGÉNESIS DE PERSONAJE EN TRES NOVELAS DE MERCÈ RODOREDA, Elena Vega-Sampayo
Submissions from 2020
Bookended: Someone to Believe in Me, David Bowles
Corridos, David Bowles
CHAPTER 11 Lydia Mendoza, “Reina de la Música Tejana”: Self-Stylizing Mexicanidad through China Poblana in the US-Mexico Borderlands, Marci R. McMahon
La lítote en sin ruido de José Corredor-Matheos, Elena Vega-Sampayo
AN ANALYSIS OF AND FROM THE GAZE IN LARGO NOVIEMBRE DE MADRID AND IN OTHER SHORT STORIES BY JUAN EDUARDO ZUNIGA/ ANÁLISIS DE Y DESDE LA MIRADA EN LARGO NOVIEMBRE DE MADRID Y EN OTROS CUENTOS DE JUAN EDUARDO ZÚÑIGA, Elena Vega-Sampayo and Jose M. Davila-Montes
Submissions from 2019
¡Oye, Oye!: A Manifesto for Listening to Latinx Theater, Patricia Herrera and Marci R. McMahon
Sobre las variantes textuales de Las fuerzas extrañas y la intertextualidad de “Un fenómeno inexplicable, Jose M. Martinez, Jonathan Godinez, and Itzel Vargas
Learning from and Listening to Latinx Youth at the 2019 LTC TYA Sin Fronteras Festival and Convening, Marci R. McMahon
Imagining Informal Empire: Nineteenth‐century British Literature and Latin America, Marisa Palacios Knox
Propaganda, Patriotism, and News: Printing Discovered and Intercepted Letters In England, 1571–1600, Gary Schneider
Submissions from 2018
Mapping Opposition in the Sonora- Arizona Borderlands: A Critical Recovery of Federico Ronstadt’s Memoir Borderman, Diana Noreen Rivera
Submissions from 2017
Coming Full Circle: The 2017 LTC International Convening, Carla Della Gatta
A Chicana Heroine Redirects El Movimiento, Marci R. McMahon
Healing Activist Trauma in Su Teatro’s Production of Milta Ortiz’s Más, Marci R. McMahon
Soundscapes of Narco Silence in U.S.-Mexico Borderlands Performance, Marci R. McMahon
Remembering Hurricane Beulah: An Interview With Conjunto Legend Gilberto Perez On Hurricane Beulah Corridos, Commercialisim and Culture, Diana Noreen Rivera
Submissions from 2016
Melodrama, Sickness, and Paranoia: Todd Haynes and the Woman’s Film, Linda Belau and Ed Cameron
Latin@ Theatre for Social Action in the Time of Donald Trump, Marci R. McMahon
Submissions from 2015
Valley Alliance of Latina/o Theatre Artists and Educators: Connecting and Developing Latina/o Stories in the Rio Grande Valley in Tejas, Marci R. McMahon
Submissions from 2014
Dissonant Divas in Chicana Music: The Limits of La Onda by Deborah R. VargasWild Tongues: Transnational Mexican Popular Culture by Rita E. Urquijo-RuizPerforming the US Latina and Latino Borderlands edited by Arturo J. Aldama, Chela Sandoval, and Peter J. García, Cathryn Josefina Merla-Watson
Masculine Identification and Marital Dissolution in Aurora Leigh, Marisa Palacios Knox
“The Valley of the Shadow of Books”: George Gissing, New Women, and Morbid Literary Detachment, Marisa Palacios Knox
Submissions from 2013
Soundscapes of Narco Silence, Marci R. McMahon
Submissions from 2012
Frédérique Aït-Touati, Fictions of the Cosmos: Science and Literature in the Seventeenth Century, Anthony J. DeSantis
Submissions from 2011
Alma López’s California Fashions Slaves: Denaturalizing Domesticity, Labor, and Motherhood, Marci R. McMahon
Land Grab or Legal Title Transfer? Reviewing the Evidence for Land Title Fraud in 19th Century South Texas, Elmer Sierra, William R. Yaworsky, and Amy Frazier
Submissions from 2010
Women Letter-Writers in Tudor England by James Daybell (review), Gary Schneider
Submissions from 2008
Libelous Letters in Elizabethan and Early Stuart England, Gary Schneider